The great NEO-roots arts Champion David Thomas - driving force behind the amazing Pere Ubu, Rocket From The Tombs, and all things Ubu Projex - brings his Two Pale Boys to Cleveland for their only show in the United States. REALNEO will be there to share the excitement... see some brief notes from my interview with David Thomas from his last RFTT tour through Cleveland here. Make your plans now to turn out for this remarkable event and support the most innovative musical genius ever to rise from our region... and support the Beachland! More below:

DAVID THOMAS AND TWO PALE BOYS PERFORM ONE U.S. SHOW ONLY - at the Beachland

David Thomas and two pale boys continue to support their last release
titled, 18 Monkeys On A Dead Man's Chest (Smog Veil).  The album is the
group's fifth release and their third studio album.  It takes the group's
extraordinary sonic lexicon, the trademark soundscaping of  electronic
trumpeter Andy Diagram and guitar/synthesist Keith Moliné, and injects it
with a furious rock urgency. Check the zigzagging riffs and knife-edge
angularity of the blistering "Numbers Man."  There are no drums on this
track and no drums at all during the band's live performance of the material
from the album.

April 10th
at Beachland Ballroom
in Cleveland, Ohio
9:30 pm set time

18 Monkeys On A Dead Man's Chest contains the following nine tracks 1) "New
Orleans Fuzz," 2. "Numbers Man," 3. "Little Sister," 4. "Habeas Corpus," 5.
"Brunswick Parking Lot," 6. "Nebraska Alcohol Abuse," 7. "Sad Eyed
Lowlands," 8. "Golden Surf" and 9. "Prepare for The End."

"Ceaselessly inventive"
- Sunday Times

"Twisted and inspired, it is like everything and nothing you've ever
heard...beautiful and haunted stuff in which to both lose and find
yourself."
- Time Out

"His otherworldly, slightly deranged voice...bears comparison with no other
voice: child-like, full of guilt, pitched somewhere around, although not at,
falsetto, but - and this is the fulcrum of his appeal, around which his
whole oeuvre pivots - it has a serene, mournful quality. Nick Drake and Ian
Curtis had that quality too, but Thomas's palette is broader, his
inclination more avant-garde."
- The Guardian